Thanks for Coming, So Nice to Meet You

Thanks to everyone who came down to (Le) Poisson Rouge on Wednesday for our July 1207 reading. It was a great time, and we liked hanging out with you.

In case you really hate fun, and didn't come, but now wish you did here's what you missed:

Paul Gregory Himmelein read from a novel in progress that only utilizes language found in two different 18th century dictionaries. He read from, as his influential text, one of these dictionaries titled The Vulgar Tongue.

Geoff Herbach read from his hysterical and tragic novel The Miracle Letters of T. Rimberg. He also read a couple of poems by John Berryman which made me immediately go home and start reading The Dream Songs again.

If you missed all the fun join us on August 5th for 1207 w/ John Wray, Marlon James, and Ronaldo V. Wilson.

American Life in Poetry Column #223

American Life in Poetry: Column 223

BY TED KOOSER, U.S. POET LAUREATE, 2004-2006

There's lots of literature about the loss of innocence, because we all share in that loss and literature is about what we share. Here's a poem by Alexandra Teague, a San Franciscan, in which a child's awakening to the alphabet coincides with another awakening: the unsettling knowledge that all of us don't see things in the same way.


Language Lessons

The carpet in the kindergarten room
was alphabet blocks; all of us fidgeting
on bright, primary letters. On the shelf
sat that week's inflatable sound. The "th"
was shaped like a tooth. We sang
about brushing up and down, practiced
exhaling while touching our tongues
to our teeth. Next week, a puffy U
like an upside-down umbrella; the rest
of the alphabet deflated. Some days,
we saw parents through the windows
to the hallway sky. "Look, a fat lady,"
a boy beside me giggled. Until then
I'd only known my mother as beautiful.


American Life in Poetry is made possible by The Poetry Foundation, publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. Poem copyright (c)2008 by Alexandra Teague, whose first book, "Mortal Geography," winner of the Lexi Rudnitsky Prize, is forthcoming in 2010 from Persea Books. Reprinted from "Third Coast," Fall 2008, by permission of Alexandra Teague and the publisher. Introduction copyright (c)2009 by The Poetry Foundation. The introduction's author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006. We do not accept unsolicited manuscripts.

What's New This Week

Music:
Wilco - Wilco [the album] [Nonesuch]
+ First new Wilco in far too long.

Richard Thompson - Walking on a Wire: Richard Thompson (1969-2009) [Shout Factory]
+ A beautiful four disc set with a 60 page booklet tracing Thompson's career through his early work with his wife into the last two decades of his solo career.

Bjork - Voltaic
+ A new 2 CD / 2 DVD set from Bjork in a big beautiful package.

Spoon - Got Nuffin
+ A new short EP from Spoon. A couple of months ago there were rumors that Daniels and co. were putting the finishing touches on a new album in Portland. This might be the first waft of that long overdue possibility.

Theaters:
Public Enemies (Michael Mann) [Universal]
+ New gangster film on the story of Dillinger with Johnny Depp and Christian Bale. [trailer]

The Beaches of Agnes (Agnes Varda) [Cinema Guild]
+ The incomparable Agnes Vardas releases a brand new film. Get excited. [trailer]


DVD:
Tokyo! (dir. Michel Gondry, Leos Carax, Joon-Ho Bong) [Comme des Cinémas]
+ One film in three parts, from three separate directors. Carax and Gondry are well known experimentalists, and Joon-Ho is one of the most exciting new directors around (see The Host).

Do the Right Thing (20th Anniversary Edition) (Spike Lee) [Universal]
+ Few films deserve a big fancy box set more than this. Spike Lee's best film hands down.

Wholphin: Issue 8
+ Wholphin, the short film DVD magazine from McSweeneys, is issuing Issue 8. These are always really great, I recommend trying it.

American Life in Poetry: Column #222

BY TED KOOSER, U.S. POET LAUREATE, 2004-2006

Coleman Barks, who lives in Georgia, is not only the English language's foremost translator of the poems of the 13th century poet, Rumi, but he's also a loving grandfather, and for me that's even more important. His poems about his granddaughter, Briny, are brim full of joy. Here's one:


Glad

In the glory of the gloaming-green soccer
field her team, the Gladiators, is losing

ten to zip. She never loses interest in
the roughhouse one-on-one that comes

every half a minute. She sticks her leg
in danger and comes out the other side running.

Later a clump of opponents on the street is chant-
ing, WE WON, WE WON, WE . . . She stands up

on the convertible seat holding to the wind-
shield. WE LOST, WE LOST BIGTIME, TEN TO

NOTHING, WE LOST, WE LOST. Fist pumping
air. The other team quiet, abashed, chastened.

Good losers don't laugh last; they laugh
continuously, all the way home so glad.


American Life in Poetry is made possible by The Poetry Foundation, publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. Poem copyright (c)2001 by Coleman Barks, from his most recent book of poems, "Winter Sky: New and Selected Poems, 1968-2008," University of Georgia Press, 2008, and reprinted by permission of Coleman Barks and the publisher. Introduction copyright (c)2009 by The Poetry Foundation. The introduction's author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006. We do not accept unsolicited manuscripts.

American Life in Poetry #221

American Life in Poetry: Column 221

BY TED KOOSER, U.S. POET LAUREATE, 2004-2006

Sometimes, it's merely the sound of a child's voice in a nearby room that makes a parent feel immensely lucky. To celebrate Father's Day, here's a joyful poem of fatherhood by Todd Boss, who lives in St. Paul, Minnesota.


This Morning in a Morning Voice

to beat the froggiest
of morning voices,
my son gets out of bed
and takes a lumpish song
along--a little lyric
learned in kindergarten,
something about a
boat. He's found it in
the bog of his throat
before his feet have hit
the ground, follows
its wonky melody down
the hall and into the loo
as if it were the most
natural thing for a little
boy to do, and lets it
loose awhile in there
to a tinkling sound while
I lie still in bed, alive
like I've never been, in
love again with life,
afraid they'll find me
drowned here, drowned
in more than my fair
share of joy.


American Life in Poetry is made possible by The Poetry Foundation, publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. Poem copyright (c)2008 by Todd Boss, whose most recent book of poems is "Yellowrocket," W. W. Norton & Co., 2008. Poem reprinted from "Poetry," December 2008, by permission of Todd Boss and the publisher. Introduction copyright (c)2009 by The Poetry Foundation. The introduction's author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006. We do not accept unsolicited manuscripts.

American Life in Poetry #220

American Life in Poetry: Column 220

BY TED KOOSER, U.S. POET LAUREATE, 2004-2006

One of the privileges of being U.S. Poet Laureate was to choose two poets each year to receive a $10,000 fellowship, funded by the Witter Bynner Foundation. Joseph Stroud, who lives in California, was one of my choices. This poem is representative of his clear-eyed, imaginative poetry.


Night in Day

The night never wants to end, to give itself over
to light. So it traps itself in things: obsidian, crows.
Even on summer solstice, the day of light's great
triumph, where fields of sunflowers guzzle in the sun--
we break open the watermelon and spit out
black seeds, bits of night glistening on the grass.


American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. Poem copyright (c)2009 by Joseph Stroud, and reprinted from his recent book of poems, "Of This World: New and Selected Poems 1966-2006," Copper Canyon Press, 2009, by permission of the author and publisher. Introduction copyright (c)2009 by The Poetry Foundation. The introduction's author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006. We do not accept unsolicited manuscripts.

Issue 11 Now Online

Issue 11 is now up, and our contributors in the Narratives section find, through their fiction, new and interesting ways to deal with relationships gone south, and our Poetics section contributor expresses his joy at your appearance in that crown! We also bring you the beautiful work of Sougwen Chung in our Gallery, and welcome back our series InDialogue, where writers and artists talk to each other about, well, anything they want to talk to each other about. Here, two long-time members of the InDigest family, Meakin Armstrong and Sam Osterhout, discuss, among other things, the fate of the funny man, growing old, and why Meakin’s characters don’t have enough sense to get themselves out of the damn basement.

And remember, if you're in New York stop by (le) Poisson Rouge the first Wednesday of every month for the InDigest 1207 reading series, where in June we will be welcoming Stephen Burt, Angela Ball, Rodrigo Toscano, and Giao Buu (and later this summer, John Wray, Marlon James, Ronaldo V. Wilson, and Geoff Herbach).


Narratives
Nicole Callihan's delightfully odd story about a man who sees his friends' relationship somewhat differently than they do.

"One Fish, Two Fish"

&

Peter Bognanni's wild ride into the mystical world of swords...and how they can spice up your love life.

"Historical Replicas Unlimited"


Poetics
Three poems by Michael Ogletree:

"Look at You in That Crown!"
"The Thread"
"Anything Goes, I Guess"


Gallery

Beautiful, swirling prints with muted colors and surprising depth by Sougwen Chung.


InDialogue

Past InDigest Narratives contributors Meakin Armstrong and Sam Osterhout InDialogue.